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This article explores the lasting cultural influence of "The Devil Wears Prada" and the behind-the-scenes story of Vogue's May cover, which brings together Meryl Streep and Anna Wintour. It highlights the widespread recognition of the film and its central characters, even among those outside the fashion world. The piece also details the collaborative efforts to secure both iconic figures for the cover, celebrating the upcoming sequel and the ongoing relevance of the original story.

The writer recounts attending the premiere of the original "Devil Wears Prada" with their mother, noting their prom dress choice and the subsequent encounter with Anna Wintour and her daughter, Bee. Years later, when the idea of a sequel arose, the Vogue team decided to capitalize on its release, which coincided with the Met Gala. The initial thought was to feature Meryl Streep, but the bold idea of including both "Mirandas" - Anna Wintour and Meryl Streep - for the May cover of 2026 quickly gained traction. This ambitious plan was set in motion to commemorate the film's impact and its connection to the fashion magazine.

The author shares a personal anecdote from a Parisian towncar ride with Anna Wintour in early October. During a discussion about upcoming cover stories, the writer cautiously proposed the idea of Anna appearing on the cover with Meryl Streep. Anna, though amused, initially declined, stating it wasn't her usual style. However, Meryl Streep later convinced her to participate, much to the writer's gratitude. This collaboration was seen as a perfect way to immortalize a significant cultural moment, bridging the world of cinema and high fashion.

Since beginning their tenure at Vogue after the film's 2006 debut, the author frequently encountered questions comparing their workplace experiences to those depicted in "The Devil Wears Prada." Friends' parents, suburban business professionals, and even doormen would inquire about the similarities to the fictional "Miranda Priestly" and the realities of working at Vogue. This phenomenon underscored how universally recognizable Anna Wintour and, by extension, Vogue had become, especially among individuals outside the fashion sphere. Interestingly, Meryl Streep's portrayal of Miranda is reportedly the role men most frequently ask her about.

The interview between Meryl Streep and Anna Wintour, conducted by Greta Gerwig, provided many unexpected revelations. They discussed the motivation behind the sequel, Anna's reaction to its development (she called Meryl), and playful banter about each other's demanding roles. Meryl confessed she wouldn't want Anna's job, citing the daunting footwear, while Anna couldn't fathom taking on Meryl's profession. The conversation also touched upon the longevity of designers, professional attire, and the expressive power of clothing, recalling Miranda's memorable cerulean sweater monologue.

In addition to the cover story, the May issue of Vogue featured "Costume Art," an exhibition at The Metropolitan Museum, showcasing the intersection of fashion and fine art. Ethan James Green photographed various pieces within The Met's new Condé M. Nast Galleries, while Annie Leibovitz captured portraits of the Gala host committee. Five visual artists offered diverse perspectives on body types within the exhibition, and a pajama party at The Mark Hotel paid homage to the tradition of witnessing the sunrise after a glamorous, late-night ball gown event.

During these preparations, the idea emerged to select "The Devil Wears Prada" as Vogue's second Book Club pick. The author admitted to never having read Lauren Weisberger's 2003 novel, describing it as a thrilling narrative filled with details like five-inch stilettos, endless corporate car accounts, and the seemingly exorbitant cost of New York coffee. The book club plans to host an early screening of the film for its members and friends of Vogue, with a special mission to invite as many former assistants to Anna Wintour as possible.

Transforming a room goes beyond merely adding basic furnishings; it involves creating an atmosphere that reflects personality and style. While essential items like comfortable seating and soft rugs form the foundation, the often-overlooked blank walls present a canvas for profound change. Overcoming decision fatigue, many homeowners might opt for simple paint or a few framed pictures. However, strategically chosen wallpaper can dramatically alter a space, infusing it with character and warmth. As Los Angeles-based interior designer Oliver Furth notes, "Nothing transforms a space more than a good envelope. I love using wallpaper to create mood or add coziness."

Selecting the ideal wallpaper can be daunting given the vast array of brands, patterns, and color schemes available. To simplify this process, we consulted 15 leading interior designers who shared their go-to sources and favorite designs. Their recommendations span a diverse range, from richly textured grasscloths to detailed frescos, offering options for every aesthetic and budget. These expert insights highlight under-the-radar brands that consistently deliver quality and unique artistic expressions.

Gabrielle Bove highly recommends Milton & King for their beautiful and affordable options, praising their diverse range of creative prints suitable for high-impact areas like powder rooms. Courtnay Tartt Elias expresses a deep admiration for de Gournay, particularly for their hand-painted and customizable designs such as "The Colony," which allows for personal storytelling within a space. Mary Graham and Nicole Salvesen frequently turn to Antoinette Poisson for their romantic, 18th-century French-inspired wallpapers, with "Baies" being a particular favorite for its delicate and playful charm.

Claire Staszak, who designed her own collection with Isidore Leroy, is captivated by their immersive and beautifully crafted papers. Her preferred "Marbré de Venise" print, inspired by Venetian bookbinding, adds incredible movement and depth. Melissa Lee suggests Greenly Living's "Petal" wallpaper for temporary installations, appreciating its similar aesthetic to her favored wallcoverings. Robin Rains advocates for Porter Teleo, whose hand-painted and customizable panels like "Amitié" create bold, lasting impressions with their large pattern repeats.

Ryan Saghian is drawn to heritage brands like de Gournay, Gracie, and Little Greene, valuing their craftsmanship and history. He especially loves scenic wallpapers that are transportive and immersive, noting Little Greene's "Capricorn" for its subtle yet impactful rhythmic quality. Beth Diana Smith praises Chasing Paper for their flexible material offerings and vibrant patterns, highlighting the "A Song for Mollie" design for its abstract and playful feel. Karen Asprea appreciates Rebel Walls for their simple yet high-quality solutions, which offer both traditional and peel-and-stick options for all their designs.

Jessica Risko Smith finds enduring appeal in Morris & Co. patterns, which have been continuously produced for over 150 years. She values their correct proportions, livable colorways, and versatility across various home styles, favoring the "Bird & Pomegranate" design. Cynthia Ferguson, a long-time admirer of grasscloth, consistently chooses Phillip Jeffries, particularly for their wide array of colors and durable vinyl options. Her top pick, "Juicy Jute," is celebrated for its wider weave and phenomenal texture, offering a modern twist on classic grasscloth.

Jennifer Miller is captivated by Lake August's artistic approach, where wallpapers begin as original paintings and hand-carved block prints, giving them a unique depth and soul. She particularly loves "Fox in the Snow" in the Scots colorway for its whimsical and almost abstract nature, blending animal and botanical motifs. Gerald Isaac highly recommends Belarte Studio from Sweden, emphasizing their artistic integrity and Scandinavian sensibilities. Their process allows for seamless installation and minimal waste, with the "Clay Marble" pattern being a notable choice for unique placements.

James Huniford is drawn to House of Hackney's immersive and transportive designs, appreciating their romantic and nostalgic yet current appeal. The "Artemis" style in Petrol is a favorite for creating a moody, cocooning backdrop with rich depth. Lastly, Diana Lombard praises Elworthy Studio for their artistic and deeply considered approach. Each design starts as a hand-drawn piece, resulting in organic, grounded, and earthy wallpapers. The muted palettes and sense of movement in their patterns create memorable elements in any home, perfectly balancing youthful energy with refinement, as seen in their "Portal" wallpaper.