Fashion

Matter and Shape: A Convergence of Fashion and Design at Paris Fashion Week

The Matter and Shape design fair, renowned for its meticulously curated exhibits, has once again graced Paris during Fashion Week for its third annual event. Held at the Jardin des Tuileries, this unique gathering, which commenced on Friday and concludes on Monday, March 9, is strategically timed to attract the fashion elite, thereby introducing the dynamic world of design to an expanded audience. Far from a typical trade show, Matter and Shape reimagines the essence and target demographic of a design event, aligning perfectly with the fashion industry's growing fascination with interior aesthetics and home décor. The attendees are a sophisticated blend of stylists, hoteliers, retailers, restaurateurs, students, trendsetters, and creative directors, alongside esteemed magazine editors, museum curators, artists, and gallerists. Notables such as Interview editor-in-chief Mel Ottenberg and German photographer Wolfgang Tillmans have been observed exploring the diverse offerings, which span textiles, dinnerware, lighting, fragrances, ceramics, and furnishings from independent creators, architects, legacy brands, family enterprises, and art spaces.

The synergistic relationship between fashion and design is not a new concept, yet it is being explored with renewed vigor. Dan Thawley, a Paris-based Australian writer, editor, and creative consultant who serves as the fair's creative director, remarks that leading fashion creative directors have historically acted as curators. He points out that the residences of prominent fashion designers often reveal their extensive book collections, furniture selections, and other objects that serve as sources of inspiration. He emphasizes that while the best designers have consistently crafted remarkable spaces, the interplay among art, fashion, and design is now communicated in a more tangible and accessible manner. In its short three-year history, the fair has significantly expanded its roster of exhibitors, more than doubling from 30 to over 70 participants. The upcoming 2026 theme, "Scale," draws inspiration from Rem Koolhaas and Bruce Mau's influential 1995 architectural work, S, M, L, XL. This year's exhibits feature a wide range of items, from Monies' sculptural jewelry and Julie Kegels' recycled leather jackets repurposed into cushions for a Le Corbusier-inspired armchair, to delicate seashell sugar bowls by Tavares 1922, aromatic creations from Frama, and architectural side tables by Herzog & de Meuron. Beyond the exhibition spaces, Matter and Shape also provides areas for relaxation and reflection, including a reading room in collaboration with Villa Hegra, a café by Parisian establishment Dreamin' Man partnering with Zara Home, and a temporary restaurant managed by the innovative culinary studio Balbosté. Thawley encapsulates the experience by stating, "I like to think of Matter and Shape like a curated walk through the pages of a magazine." He further elaborates on the importance of discovering hidden gems in an age of perceived omnipresent online information. He highlights the ongoing revitalization of archives by generational family businesses and the forging of new connections across film, food, and fashion, celebrating these diverse disciplines as integral to how we experience life.

Highlighting this year's impressive showcase, Lindsey Adelman's studio from New York introduces "Andromeda," a new series of chandeliers and sconces. These pieces, inspired by celestial bodies, blend steel, rich Emperador marble, and patagonia green quartzite with mold-blown glass, commemorating the studio's two-decade milestone. Viennese glassware icon Lobmeyr, in collaboration with Luca Guadagnino, presents an installation featuring Guglielmo Ulrich's designs, sourced from Guadagnino's personal collection. Danish design house Georg Jensen's "Chance Encounters" exhibits archival jewelry by six female artists alongside their other works, such as Kim Naver's 1975 bangle paired with her tapestries. Belgian designer Ann Demeulemeester, transitioning from fashion to home design, showcases new homewares with Serax, including carafes and a cylindrical wall lamp. French furniture publisher Petite Friture reissues René Herbst's 1927 "Sandows" collection, updating its minimalist steel and elastic design for a contemporary audience. Finally, Fondation Arp-Taeuber debuts at the fair, presenting Sophie Taeuber-Arp's original art alongside modern interpretations, including stained-glass works by Sophie Toporkoff and hand-tufted rugs by Christopher Farr, as well as a chest of drawers by Fassen, faithfully reproducing one of Taeuber-Arp's own designs.

These innovative approaches to design underscore the belief that continuous discovery and creative cross-pollination are vital for enriching our surroundings and daily lives. By blurring the lines between various artistic disciplines and providing a platform for both established and emerging talents, Matter and Shape encourages a deeper appreciation for the intricate beauty and thoughtfulness embedded in the objects that define our personal spaces.

Loewe's Latest Men's Collection: A Blend of Playfulness and Precision

Just ahead of their Fall 2026 presentation for Loewe, Jack McCollough and Lazaro Hernandez immersed themselves in their own creations. Hernandez expressed a personal desire for a pair of rubber-toed slip-on sneakers, reminiscent of aquatic footwear merged with climbing shoes. While perusing a display of vibrantly hued suede bags in their Parisian design studio, Hernandez selected a sleek, rounded black nubuck briefcase, prompting McCollough to declare his intention to acquire the brown variant. This firsthand engagement was a novel and exhilarating experience for the creative partners, who, since founding their acclaimed NYC-based label, Proenza Schouler, in 2002, had exclusively designed women's apparel. Their transition to the LVMH-owned Spanish luxury house last year, following Jonathan Anderson’s departure to Dior, marked their inaugural venture into menswear. McCollough playfully noted their 'selfish reasons' for excitement as Hernandez modeled a bomber jacket adorned with three layered hoods, evoking an abstract sculpture of fuzzy shearling and gingham check, which fit him impeccably.

The designers presented several imaginative outerwear pieces that capture the vibrant essence they infuse into Loewe: a leather parka designed to inflate like a life vest, a check bomber with a billowy, cropped silhouette dubbed a 'mushroom fit,' an overcoat crafted from an advanced fabric intricately woven and embroidered with flossy yarn to mimic cascading brown ostrich feathers, and a seamless sky-blue leather hoodie. While this season has seen an abundance of serious, cinematic menswear, suggesting a universal aspiration to emulate French film noir aesthetics, these two visionaries offer a compelling counter-narrative. Their eccentric perspective is both whimsical and tactile, sparking the imagination and encouraging individuality. As they moved through the racks, the designers gleefully showcased a tiny rubber pajama top, seemingly destined for Harry Styles, which McCollough mischievously described as 'a little pervy.' Hernandez elaborated, highlighting a 'preppy, dorky vibe' executed with a 'demented' twist that they adore. Having been inseparable since their 1998 meeting at a New York nightclub as Parsons students, McCollough and Hernandez are affectionately known in the fashion world as 'the boys.' Now, they are the 'Loewe boys,' exuding a youthful energy that suggests they are perpetually in motion. They expressed surprise upon learning that their provocative Loewe campaign by Talia Chetrit was prominently displayed across Paris, having been fully engrossed in concurrently developing seven collections. Hernandez remarked that they practically reside in their design studio.

Despite sharing the relentless work ethic common among luxury fashion's elite, McCollough and Hernandez remain grounded, eschewing pretense. Their attire reflects their enduring style—a fusion of creative director uniform and prep-inspired elements, favoring vintage Polo knits, straight trousers, and matching black Salomon sneakers. Their quick wit and ability to complete each other's sentences underscore their deep connection. When asked about their decision to depart Proenza Schouler for the prestigious LVMH role, McCollough stated, 'We've never had a long-term plan, ever.' Hernandez added that they were simply 'bored in New York' after a long tenure, and when Loewe extended the invitation, they enthusiastically accepted. Upon joining Loewe, the duo rekindled the effervescent energy of their early twenties, when Proenza catapulted them to New York fashion fame. Their innate experimental streak, combined with Loewe's extensive resources, has ignited a new wave of creativity. Hernandez noted, 'We're pushing the technical boundaries of what's possible in creation,' a sentiment echoed by McCollough, who described the capabilities as 'incredible.' They retain the artisanal sensibility honed during years of operating on an independent budget. They pointed to a furry hoodie, with its top half shaved brown and bottom shaggy blonde shearling. Hernandez humorously revealed, 'We sent it to poodle groomers!', a testament to their dedication to craftsmanship. Though their new city might offer little time for leisure, they are evidently reveling in their professional journey. Following their successful women's debut last September, menswear presented their next significant challenge. Hernandez observed that menswear felt 'more personal because we're boys,' while McCollough suggested it might be 'easier.' However, he acknowledged the inherent difficulty in assembling a suit for men, where 'it's all about the proportion of the lapel, and how long it is, and the underpinnings—what the styling is,' requiring attention to 'nuances and details,' whereas women's fashion often allows for 'bolder gestures.' The pieces flowed seamlessly, blurring traditional gender lines in materials and forms. McCollough explained, 'When we started editing the pieces, we almost ignored who was a boy and who was a girl. We were more looking at flow and how things connect to one another.' Their menswear vision will take center stage in a solo show during Paris Fashion Week's men's edition in June. Their foundation is robust; a spongy, slim navy suit styled over a quirky plaid mockneck and gingham silk shirt immediately caught the eye. Even the simplest garments held clever surprises, such as corduroy jeans made from meticulously shaved shearling, featuring razor-straight wide wales, a detail presumably not handled by the poodle groomers this time. The designers also revealed that a bright green molded latex overcoat, designed for the runway's dynamic display, would be adapted into wool for retail. Hernandez described it as 'very much like an idea, an expression, a feeling, a materiality thing,' with McCollough adding, 'And then you'll go into the stores and there's going to be tons to buy.' When considering what they would personally acquire, McCollough highlighted a chunky ski sweater with a vibrant gingham pattern, paired with cotton jeans coated in traffic cone-orange latex. While he admitted it was more of a 'show look' and perhaps not something he would wear personally, he noted, 'I think that's very much the attitude of how we dress. Our shirts are always kind of tucked in, our pants are usually kind of straight and boyish.' Hernandez presented a sweater that, from a distance, appeared to be a sophisticated plaid knit suitable for a late night in the studio. Closer inspection revealed it was crafted from ultrathin leather fabric, intricately knitted using specialized machinery. McCollough commented, 'I mean, that's kind of how I dress, just not in those materials.' Hernandez contemplated the leather sweater, seemingly adding it to his mental shopping cart, exclaiming, 'I might!'.

In the dynamic world of fashion, the journey of Jack McCollough and Lazaro Hernandez at Loewe exemplifies the power of innovation, adaptability, and unwavering passion. Their ability to infuse a fresh, playful spirit into luxury menswear, while honoring meticulous craftsmanship, inspires a renewed appreciation for creativity and bold self-expression. Their story reminds us that true artistry transcends conventional boundaries, encouraging us to embrace new challenges and redefine possibilities in pursuit of our creative visions.

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Celine's Vision for Fall 2026 Ready-to-Wear Unveiled

Celine has recently presented its much-anticipated Fall 2026 Ready-to-Wear collection, offering a comprehensive array of designs that seamlessly blend classic elegance with modern sophistication. The collection features a diverse range of garments, from impeccably tailored outerwear and formal wear to chic accessories, each reflecting the brand's signature aesthetic. This showcase highlights Celine's continued influence in contemporary fashion, emphasizing high-quality craftsmanship and a timeless appeal that resonates with discerning fashion enthusiasts. The designs provide a forward-looking perspective on autumnal style, maintaining a balance between innovative trends and enduring sartorial principles.

Celine Unveils Fall 2026 Ready-to-Wear Collection: A Symphony of Style and Sophistication

In a highly anticipated event for the fashion world, Celine debuted its Fall 2026 Ready-to-Wear collection, presenting a captivating vision of future style. The collection, featuring a total of eight distinct looks, was revealed through an exclusive online gallery, allowing a global audience to meticulously examine each design. The pieces, captured in high-resolution imagery, underscored Celine's unwavering dedication to refined elegance and superior quality.

Key highlights from the collection included an array of beautifully structured coats, meticulously tailored suits, and a variety of sophisticated ensembles that catered to both formal and casual settings. Accessories such as elegant hats, stylish glasses, and chic footwear complemented the clothing, enhancing the overall cohesive aesthetic. Notable pieces like 'Look 1' and 'Look 2' showcased intricate detailing and luxurious fabric choices, while 'Look 3' and 'Look 4' demonstrated the versatility of the collection, incorporating elements of contemporary utility with classic lines.

The presentation, which took place digitally, allowed for an immersive experience, inviting viewers to explore the textures, cuts, and silhouettes that define Celine's Fall 2026 narrative. Each image, meticulously styled, revealed a story of sophistication and understated luxury, a hallmark of the brand's creative direction. This collection not only projects upcoming fashion trends but also reinforces Celine's position as a leader in the luxury ready-to-wear market.

Reflecting on Celine's Enduring Influence

Celine's Fall 2026 collection serves as a profound reminder that true style transcends fleeting trends. The brand’s consistent ability to deliver collections that are both aspirational and wearable provides a blueprint for lasting elegance in an ever-evolving fashion landscape. This showcase encourages us to consider the enduring power of quality craftsmanship and thoughtful design, suggesting that investment in classic, well-made pieces remains the cornerstone of a sophisticated wardrobe. It’s a compelling statement that fashion, at its best, is an art form that speaks to individuality and timeless beauty.

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